Catherine Gammon

The composition is the thing seen by everyone living in the living they are doing, they are the composing of the composition that at the time they are living is the composition of the time in which they are living… Gertrude Stein

Tag: Zen

In Pittsburgh once again …

Got the garden in …

This slideshow requires JavaScript.

Got some house plants …

… and some painting done …

2017-05-30 11.49.57

Got the cat …

 

Saw some Juliet excerpts appear at The Collagist

 

Went to Brooklyn to sew …

2017-04-13 15.30.11

… and to sit with Reb …

reb2017_3.jpg

 

 

And I’m getting ready for one more event …

 

Writing As A Wisdom Project

9:00 – 5:00 on Saturday June 17, 2017, Stillpoint Zen Community, Lawrenceville

20150816_080002

Combining meditation in the Zen tradition with the practice of imaginative writing, this workshop invites intimate and creative study of the mind. Read the rest of this entry »

I Came Back to Green Gulch…

I led the New Year’s retreat, offering Writing As A Wisdom Project and related dharma teaching, then became the Green Gulch tenzo. So much to say about this and nothing to say. So much to learn, constantly being learned. Not a lot of sleep. Not a time or place for writing. Family far away. Little time online. Little daily news. And beautiful Green Gulch … beautiful place of practice. A perpetual dilemma …

175781_2461793105940_1285585001_3001563_2009598133_o

Meanwhile I gave a Sunday dharma talk … accessible via Dropbox with this link: Finding Stillness in the Midst of the Hurly Burly.

Shortly before I came back, a couple of short fictions appeared in the world — “What is Romeo?” at The Collagist and “In Absence” at Kenyon Review Online.

I hope something in this strange assortment of offerings strikes a chord. And may this quick and summary post find everyone well and happy and enjoying friends and peace.

 

 

After the first weekend

Photo courtesy of Devin Ashwood after our weekend Dancing Mountains retreat and DM annual meeting at the Sandymount Retreat Centre in Crosby (north of Liverpool) — with Steve, Devin, Chris, Karen, Frances, and Kath.

agm retreat

Next up, an evening with the Chester sangha, then an extended Hebden Bridge weekend, “If a true word can’t be spoken…” — with half day sitting, full day sitting, Writing As a Wisdom Project, and weather permitting an excursion to Top Withens, the original of Wuthering Heights — details here.

The Way of Tenderness

The Way of Tenderness: Awakening through Race, Sexuality, and Gender
by Zenju Earthlyn Manuel
Wisdom Publications

Zenju EarthWay of Tenderness Front coverlyn Manuel’s The Way of Tenderness is a deeply personal meditation on the lib- erative potential of embracing individual experience and embodied human life. It offers insight into coming unstuck—unstuck from within an activist paradigm that can often further separation, unstuck from within a spiritual bypassing that ignores realities of conflict and oppression. Traditional Zen and Buddhist teachings—of liberation and com- passion, unity and multiplicity, emptiness and form, interdependence and identity, and the interrelationship of all beings—come to new and urgent life in the crucible of Zenju’s fire.

“The path of spirit is grounded in embodied experience,” Manuel writes. In the Zen context, this idea that embodied individual life is the ground for liberation may not seem unfamiliar or radical, but as Zenju explores the reality of this teaching on the ground of her own life, and in the light of the ways habitual social and psychological oppressions and evasions can condition spiritual practice, the radical nature of the teaching is freshly revealed.

The book’s subtitle, Awakening through Race, Sexuality, and Gender, may suggest that The Way of Tenderness is offered primarily for those who live within one or more of the variously defined realms of societal “other”-ness (the vast majority of human beings), that is to say, for those who are not of the socially dominant race, the socially dominant sexuality, and/or the socially dominant gender. So it seems important to say from the start that this book, arising as it does from the experience of a life, a body, on which such meanings of social otherness have been constructed, is a teaching for the whole sangha, all practitioners, all people—for each of us, whatever combinations or permutations within these and other categories we may live and live within, including “white,” heterosexual, and/or male. This book is not about somebody else.

When we speak of race, sexuality, and gender—when we speak of our embodiment—we speak of all of us, not just “those people” over there… We are all raced, sexualized, classed, and so on. This can be difficult to see.

Manuel asks us, individually and in our communities, to recognize that the categories of oppressor and oppressed, superior and inferior—and the isolation and separation that these categories foster—confine and condition those who find themselves on the dominant side of these dichotomies of signification, the oppressor side, not only those objectified on the side of the oppressed—and to find this recognition not theoretically, but in our own experience, in the body, to open as the body to our complete interrelationship with one another.

earthlynThat a need to study these constructed meanings and their power in our lives applies to those of us born to the oppressor side of the dichotomies may be hard for many to recognize, especially those of us who are “white,” heterosexual, and/or male. For many of us the invisibility of our own privilege (as well as our personal experiences of wounding and disempowerment and our own sense of acting with good intention) can blind us to this truth. The Way of Tenderness brings this truth back into visibility, and offers it as a gift, to each of us personally, to our sanghas, and to the larger society.

The very visibility of embodied experience and the social meanings given and lived as our visible bodies are what each of us has to embrace when we embrace the study of our karma and our suffering, as well as when we welcome our joys. We cannot do this thoroughly without engaging thoroughly with the body, in its immediacy as well as in its mediated meanings.

Sociopolitical and emotional identities provide us fragmented ways of looking at our lives. They are pieced together from places of pos- session and dispossession. It is this fragmentation, I feel, that leads some to interpret Buddhist teachings as saying that we must drop all identity for the sake of wholeness.

It is this tendency to ignore or suppress identity that The Way of Tenderness counters, asking us instead to start there, in identity and its fluidity, to start with the body and its meanings, and to exclude nothing.

This book is not about somebody else.

And not paradoxically, the way The Way of Tenderness is not about somebody else arises precisely from the way it is specifically about Zenju Earthlyn Manuel, from the very particularities of her own life that she brings to bear upon and illuminates through the dharma—the dharma of teaching and the dharma of her practice both.

What Manuel demonstrates in clear and moving language, in theoretical discussion and in personal narrative, is that although race, sexuality, and gender (as well as class, age, physical ability, and other such categories of identity arising with and as the body) may be socially constructed in their meanings, and although identity itself is fluid and its constructed meanings are not fixed, the constructed meanings function as realities that shape and reflect and express and shape again the bodies and lives we live, whatever our location on these continua may be. These constructs condition our lived reality, and we live as bodies. “Everything we know is because of the body. The body mediates our lives,” Manuel writes.

We live as bodies. And where we fall down is where we stand up.

Because we live as bodies, it is only in and through the body that we can awaken to the truth of our freedom from the socially constructed categories that confine us—only if we open to and embrace this embodiment, exactly as we find it, in its fluidity of identity. This embrace is the way of tenderness.

The way of tenderness is not Buddhist, not a religion, not behavior modification, not a philosophy of life, or a conceptual view of life. It is not a static path. You will not comprehend this way without laying bare your human conditioning. You will not comprehend it by intellect alone… The way of tenderness is a response from below the surface of what appears to us when we are seeing, hearing, touching, smelling, tasting, or thinking. It is a response beyond the mind, but of the body.

Although Manuel tells us that the way of tenderness “cannot be practiced” she offers throughout the book insights, teachings, and stories from her own life that invite and encourage us to open to this embrace, to remember that we have already opened to it, and to activate our awareness, to give attention to the shadowed places she illuminates.

Early in The Way of Tenderness, through examining her own trajectory of training and practice, Manuel looks at efforts of contemporary Buddhist sanghas to meet and counter the racism, sexism, and homophobia of U.S. culture. She looks at the role sanghas for people of color play in offering sanctuary within and apart from the larger, mostly white sangha, and the incomprehension such groups are sometimes met with. She considers the pitfalls in the practice of being an “ally”—as a white person to people of color, as a heterosexual person to LGBQTI people, as a man to women—when not founded on the intimacy of embodied friendship. She makes clear that although accomplishing institutional “diversity” may be an outcome of making space for working with embodied identity within sanghas, that benefit to how an institution is perceived is not and should not be the motivation for doing this work.

Manuel brings to this discussion an understanding of spiritual bypass, the tendency in the name of harmony not to meet what is conflicted and difficult directly, in the present moment, in the body—the one and only place where such a meeting can take place.

When I contemplated being tender in this way, I realized that it did not equal quiescence. It did not mean that fiery emotions would disappear. It did not render it acceptable that anyone could hurt or abuse life. Tenderness does not erase the inequities we face in our relative and tangible world. I am not encouraging a spiritual bypass of the palpable things that we experience.

Zen communities, like many spiritual communities, can foster a tendency to ignore awareness of identity and difference, oppression and conflict. The Way of Tenderness, part cry of the heart, part call to arms, offers all of us the possibility to wake up to the error of this bypass, to see and embrace embodiment and the changing faces of our identities, to embrace the opportunities difference and conflict bring—and rather than fearing them as separating, to recognize that what separates is an imposed and false harmony that blocks realization of our true interrelationship.

This embrace is to study suffering and to study karma: right here, right now, in this body, and this mind. The study of self that is the study of the Buddha way requires this attention to the ways the distorted and illusory “givens” of our lives condition our reality, our thinking, our feeling, our bodies, our experience, our practice—not intellectually to deny and refute these conditions as delusions, but to find our freedom from them, through them, right where they are, in presence, in the body, with nothing excluded.

In the face of true interrelationship race, sexuality, and gender are emptied of our distortions. We can use these as places of awakening by seeing or witnessing them as they are.

If we step aside in fear or evasion, we miss the opportunity. Where we fall down is where we stand up.

If we continue on unaware of the learned tendencies regarding race, sexuality, and gender that are stored within our collective mental lives, then our ancestral and karmic tendencies will simply ripen again to confront us with new forms of racism, heterosexism, and oppressive binary gender roles. We will continually become subject to new forms of oppression and to new notions of supremacy among living beings. Day by day the list of peoples who are pariahs will grow, and rarely will it shrink.

In The Way of Tenderness Zenju Earthlyn Manuel offers us all courage—the great bodhisattva gift of fearlessness—as in stillness and silence we step into the fire of liberating presence, awake to “tension and tenderness,” and our true interrelationship with one another and all beings.

Ultimately Zenju takes this teaching beyond our individual lives, beyond the life of the sangha, to the life of all human and sentient beings, beyond even the present into a future, with a hope and perhaps a faith that this tender, liberated way may yet be fully realized. Set against the planetary crises now arising from so many forms of human delusion, it can seem a fragile hope, a fragile faith—this very fragility the tenderness and tension we habitually retreat from, even in a life of spiritual practice.

The confrontation with the impermanence of all things is perhaps the widest gate to the liberation from suffering… Given the sheer quantity of death around us, why not use this merciless light to see who we are?

May we find the courage that The Way of Tenderness invites us to, and may it be so.

North Truro, Massachusetts
November 2014

A Zen Reading of Moby-Dick

The following review was written for the San Francisco Zen Center Sangha News and first appeared there on September 23, 2014

Zen and the White Whale:Zen_wwhale_bookcover
A Buddhist Rendering of Moby-Dick
by Daniel Herman
Lehigh University Press,
with Rowman, Littlefield, 2014

Once upon a time, not so long ago, a young Zen student practicing at Tassajara read Herman Melville’s Moby-Dick on the suggestion of a friend at the monastery. Maybe Daniel Herman would have gone on from there to study literature and complete his PhD, even to write his dissertation on the very novel and the very subject, without the happy circumstance of having met Melville’s whale for the first time in the mountains of the Ventana Wilderness, in the deep heart-opening canyon that is Tassajara. Maybe that dissertation would even have become a book. And maybe not. Certainly not this book.

Like Melville’s narrator Ishmael, Daniel Herman introduces himself before he guides us carefully into the world of Moby-Dick, introducing at the same time the lens through which he will read the novel: the lens of a Zen student. This is an almost magical and apparently inevitable pairing, as if Moby-Dick had been waiting for just this person to come along and write about it in just this way.

Herman brings to hisdaniel_herman_crop_x600 reading of Moby-Dick an intimacy inextricable from his practice experience and from his deep sympathy for Melville and his works. Together these origins make Zen and the White Whale unusually moving for a scholarly study, quite independently, I would guess, of one’s previous knowledge of Moby-Dick or the dharma. And Herman’s whole project and execution reaffirm the possibility and understanding of literary reading and writing as a dharma practice.

Although this is a work of literary criticism, well documented with sources and citations, Zen and the White Whale is delightfully free of theoretical jargon, and as a dharma reading, it is free of jargon as well. Herman intends his discussion to be accessible to anyone familiar with Moby-Dick, not dependent on prior practice of Zen or knowledge of buddhadharma, and I would take this intention a little farther to suggest that the reader need not already know Moby-Dick either, so skillfully does Herman guide us through the novel’s difficult waters. And those of us who do know the novel and are Zen practitioners also may find here the pleasure and danger, both, of being inspired to venture into the novel once again, with our Zen eyes and our Zen hearts open.

Zen and the White Whale begins with the observation that “Moby-Dick and the teachings of Zen Buddhism share a central premise: that the ultimate truths of the universe cannot be distilled by conventional understanding, and that our ‘intellectual and spiritual exasperations’ arise from a desperate need for concrete answers to these ungraspable truths.”

From this assertion, all else follows. The book’s architecture is straightforward. First establishing the Buddhist texts Melville would have been familiar with, both those he is known to have read and those he is likely to have read, Herman goes on to read the novel alongside those teachings, using both the terms the 19th-century texts made available and the language of contemporary Zen teaching and teachers to illuminate Melville’s explorations—and he accom-plishes this journey with the lightest possible touch.

From the start Herman expresses the intention to offer a reading without attaching to it, and it is the congruity of this intention with the method and spirit of Moby-Dick itself that makes the book such a satisfying literary reflection. He writes:

Just as every whaleman in the novel has his own unique notion regarding Moby Dick the whale, every reader has his or her own unique understanding of Moby-Dick the book. As Ishmael might say, it “begins to assume different aspects, according to your point of view.” To insist that any particular reading of the novel is somehow truer, or more worthwhile, than all others is to fall into the same trap as Captain Ahab.

In true Zen spirit, Herman saves this insight from its potential for nihilism by the care he takes over details, individual and concrete. His discussion progresses by loosely following the trajectory of the novel—focusing first on Ishmael and his “way-seeking mind,” then on the white whale as the figure for the absolute or ultimate unknowable, and finally on Ahab and his obsession as a self-consciousness that even in its suffering must cling to its sense of separation.

From the first words of the novel—the famous “Call me Ishmael”—Herman brings his literary reflections and his dharma reflections into conversation with one another, and his approach here at the beginning can stand as example for the whole. Playing off those first words of the narrator, Herman writes: “Call me, he says, as I begin this new life, with this new name. It is at once an embrace of his own existence and a plea for us to join him. Call me—establishing the reader’s essential role in his narrative. Call me—I cannot exist without your call. Call me.” He continues:

[T]hat Ishmael requires us to join him on his cetological meditation suggests that he would be unable to attain knowledge of the whale without his reader participating in his effort. This recalls Dogen Zenji’s teaching (originally from the second chapter of the Lotus Sutra, “Preaching”) that “buddhas alone, together with other buddhas, are directly able to realize [truth].” It is only through appealing to an outside source that one can “affirm that he understands clearly and fully.”

In a further reflection on the opening words, Herman tells us that the name Ishmael “is often translated as ‘God hears.’ So we might read this sentence as ‘Call me “God hears.”’ Or perhaps it should be ‘Call me the one who God hears’ or ‘Call me the one who God has heard.’”

Herman relates this “Call me” to the standard sutra opening “Thus have I heard” (and could as easily, I think, have taken us in another direction as well, to some similar imaginative riffing on the Bodhisattva Regarder of the Cries of the World, for surely this Ishmael whose name means “God hears” can be read as the novel’s cry regarder, its Kanzeon).

As Herman’s reading continues, giving in this way his close attention to the imagery, language, and idea within the world made by the novel, he brings to bear mutually illuminating images, language, and ideas from the teaching and practice of Zen. If Melville’s language likens the whaling ship to a monastery and its men to monastics, Herman’s own experience of monastic life enlivens his reading of the metaphor. If men at the watch go drifty, there are parallels to be found in meditation. Herman writes:

When Ishmael succumbs to a “dreamy mood losing all consciousness,” he describes the progression of his mental states in precise and astute detail… He strikes a stable balance between seeking the whale but not grasping the whale—between whaling and not-whaling (we might call it “non-whaling”)—leading to his realization that there is ultimately no sperm whale to be found.

And if Ishmael’s transformation and ultimate survival may to a technically minded reader seem mere narrative necessity, to the Zen practitioner they embody and enact the movements on a path of practice.

Throughout Zen and the White Whale, Ishmael, the whale, and Captain Ahab receive equally close attention, with engaging and thoughtful side visits to the other whalemen, and Zen is spoken here in the voices not only of Dogen but also of Dongshan, Linji, Suzuki Roshi, and Tenshin Reb Anderson, among many others.

Herman Melville's graveWhen in his conclusion Herman describes the blank unfurling scroll that adorns Melville’s gravestone, its “blankness” has been established as an image carrying the weightless weight of Moby-Dick and dharma with it. At the end of his acknowledgments, Herman expresses gratitude directly to Melville “for writing this strange book about a whale. It breaks my heart to think you died without knowing what your work would one day mean to the world.”

Thus, all along its way, Daniel Herman’s Zen-based reading serves to bring the great American novel of whalers, whale, and whaling ship out of its classic, 19th-century, masculine-oriented, academic—dare we say even stuffy?—confines into timeless life with all of us here and now, where in truth it has always belonged.

I have to confess that I enjoyed reading Zen and the White Whale so much that at first I found it difficult to write about. More than anything Daniel Herman’s book moves me to go out and get my hands on a copy of Moby-Dick and to read it again. May it have that effect on others, whether students of Zen or students of literature, or most happily both.

__________

Notes on The Hidden Lamp

The following review was written for the San Francisco Zen Center blog Sangha News, and appeared there on November 12, 2013.

The new koan collection, The Hidden Lamp, edited by Zenshin Florence Caplow and Reigetsu Susan Moon, takes as its manifestly traditional starting point the collecting of one hundred Zen teaching stories. The radical difference is not simply that the stories feature women as students, adepts and masters, but that the commentaries and reflections paired with them are offered not by one living teacher, but by one hundred, all women, and from many lineages and Buddhist traditions.

The_Hidden_Lamp_cover_x600T

This diversity brings a palpable vitality to stories that include both the classic and the contemporary, and a single reflection can suddenly shift with startling effect from a traditional way of reading to a wake-up call grounded in engagement with the collective present, as for example when Pat Enkyo O’Hara turns from explication of a koan presenting a playful encounter between Iron Grindstone Liu and Master Guishan Lingyou, to ask,  “What does this koan teach us today? Is it not that New York melts the arctic ice; that karmic threads of colonialism have woven twenty-first century violence; that restitution across the globe rests in our hearts, here at home?”

In a similar spirit are moments like this from Susan Murphy:

In a life-world on the brink of crumbling in mass extinctions, while human forms of insanity are roundly certified as “business as usual,” how will you actualize the cry of the rooster with this whole great body and mind of fields, mountains, and flowers?

And from Joanna Macy:

My attention, too, is so preoccupied with what we, collectively, are doing to our world…. My spiritual practice calls me to come to terms with the destruction we humans are causing. I wouldn’t want an “enlightenment” that would keep me from knowing and feeling the ways our actions are unraveling the very web of life. I want to be present to the suffering that comes with “the spirit of the knife and the axe”—the spirit of bulldozer and chainsaw, of deep sea drilling and mountaintop removal, of factory farms and genetically modified seeds.

And from Natalie Goldberg:

All the meditating in the world doesn’t stop a rape in the Congo. Some effort needs to be made; we must be willing to get our white clothes dirty. We don’t need more wisdom poured into an empty vessel. We need to be willing to hear about horror, broken bones, economic collapse, betrayal.

It is tempting to go on, but these moments that bring timeless practice face to face with contemporary crisis are not the only treasures here.

Most Zen students are likely to be familiar with the expression “the bottom falls out of the bucket,” but how many of us know its origin in the life, work, and enlightenment story of one particular woman? How many of us who chant a dedication to our women teachers that ends with the name Chiyono know who Chiyono was? No doubt such details are not new to every reader, but for me coming across them was one of the many delights of this book.

The story of Chiyono goes like this: In the midst of long and deep practice, on a full moon night, she fills her old bucket at the well. The bucket breaks and the moon’s reflection falls away with the water. This is Chiyono’s moment of awakening, not unlike the possibly more familiar stories of a monk awakening after years of study and practice when his broom sweeps a pebble to ping against bamboo, or another who awakens on seeing a peach tree blooming.

Chiyono’s enlightenment poem expresses her understanding and gives us the well known image:

With this and that I tried to keep the bucket together,
and then the bottom fell out.
Where water does not collect,
the moon does not dwell.

In her reflection on this story, Merle Kodo Boyd offers a fresh take on the image itself:

As much as I may wish to appear competent at all times, I cannot immerse myself in Zen practice without a willingness to come apart. Sometimes it’s appropriate to stop patching things back together. I have come to trust the true freedom of living where the moon does not dwell.

In her own commentary on the koan “The Old Woman’s Relatives,” Caplow captures the spirit of the whole collection when she writes:

But you must understand that it is the asking that matters, not the answer. Because every real asking, every real meeting comes from the place where the Buddha glimmers in the depths. In the asking is the answerer; in the answer is the asker. And in the meeting of the two, there are mountains, rivers, and the whole earth.

The Hidden Lamp is a large and spacious collection, rich with the voices and years of practice of these hundred living women and two and a half millennia of women forebears, known and unknown. I have sampled here only a few of them. For all their richness and diversity, these stories and reflections share the central wisdom expressed by Emila Heller:

Taking refuge in a community of practitioners for so many years gave me the gift of knowing that we are all suffering, and my faith is that there is the possibility of an end to suffering.

May it be so.

The Hidden Lamp: Stories from Twenty-Five Centuries of Awakened Women
Edited by Zenshin Florence Caplow and Reigetsu Susan Moon
Foreword by Norman Fischer
Wisdom Publications
Paperback
440 pages, 6 x 9 inches
$18.95
ISBN 978086171659

Mara For Our Time

This week throughout the world Buddhists commemorate the passing of Shakyamuni Buddha into Parinirvana—both death and final enlightenment, complete and perfect cessation.

In the story told of Shakyamuni’s passing there is a moment when a demonic Mara visits to tell him it’s time for him to die.

The Buddha replies that Mara should not worry, his life will end in three months’ time.

Catherine's Shuso Invitation Spring 10

I recently watched a short, chilling, beautiful, often harsh, possibly demonic film called Obey—artfully assembled by British filmmaker Temujin Doran from images available on the web and based on the book Death of the Liberal Class by Chris Hedges.

The Vimeo description says the film “charts the rise of the Corporate State, and examines the future of obedience in a world of unfettered capitalism, global-isation, staggering inequality and environmental change.”

More on the film can be found at the wonderful BrainPickings by Maria Popova.

The artistry used to raise these issues in many ways duplicates, on a very sophisticated level, the tendencies of propaganda it critiques, although clearly to different ends. In the words of one of the comments (posted by Tim Shaker) on the Vimeo page, “This film raises some issues that desperately need more public awareness, but uses the same emotional-programming scare tactics that it criticizes. Not to say preaching to the choir doesn’t play a part too though.”

As a Buddhist I don’t quite feel a perfect fit with the “choir” possibly being preached to, but at the same time the film’s radical reading of the global situation resonates with my own thinking—at its harshest, darkest, bleakest.

I believe—or think I believe—that if we wish to act beneficially in response to the suffering of this world, this world, we have to find in ourselves a response that includes and can move beyond the impasse this critique articulates.

Exif_JPEG_422

It occurred to me this morning, as we prepare here in Brooklyn for our Parinirvana observance, that in some ways the truth visualized and spoken in the harshness and beauty of Obey is the voice of Mara—not the voice of a Mara who lies or hates or tempts or destroys but the voice of Mara as one’s own shadow, the Mara who is telling us it is time for us to die, and also the Mara who asks, when the young Shakyamuni is giving total effort to realizing awakening, “Who do you think you are to think you can do this?”

Shakyamuni’s response was to touch the earth—an expression of interconnec-tedness with all life, a request to the earth to bear witness to his effort—and in so doing he awoke and became the Buddha.

Ultimately this film, and my own many Maras, move me to ask, “Who do I think I am that I think I can do anything about this?”

337919_2461791065889_1285585001_3001560_1421801259_o

The answer is I don’t, I can’t. But I would like to find a way to touch the earth in the face of this question, in the face of this chilling, beautiful, often harsh, possibly demonic thinking, which is not false, but incomplete. I would like to find a way to touch the earth that allows me to continue, moment by moment, to ask What is it? and What then must we do?

I would like to frame my answer, any answer I may receive, enact, let go of, over and over, in the practice of the bodhisattva vows.

I have been making an effort to study this question through careful study of Eihei Dogen’s verses for arousing the bodhisattva vows, the Eihei Koso Hotsuganmon, from the Shobogenzo fascicle “Keisei Sanshoku” (“Valley Streams, Mountain Colors”).

A talk I gave on the beginning of the Eihei Koso was recorded at Glastonbury, U.K., in November 2012. It lays out, I hope, some ways to frame the question and can be accessed with this link:

https://docs.google.com/file/d/0ByWfrb0MPtrSaW91UWpXNDFqbGs/edit

The talk gets nowhere near an answer. But I hope the frame helps us to begin.

Occupy Climate Reality

Does your local Occupy movement recognize the climate crisis that 100% of us face (or refuse to face)?

I’m thinking sensitivity to this issue varies locality by locality.

The Ventana Wilderness fire arrives at Tassajara, 2008

System Change Not Climate ChangeI saw this great slogan and call coming out of Occupy Vancouver in response to the climate conference happening at present in Durban, South Africa. There is an Occupy Cop17 already in progress there, and Democracy Now will be broadcasting live from the conference all of next week. It’s time to draw the connections.

Transition has been looking at the relationship of peak oil and climate change to economies, justice, and war and peace for some years before the economic meltdown. Transition saw it coming. Is there a conversation going on between Transition and your local Occupation? (Links at Transition Network, Transition Culture, Transition US.)

I ask these questions because I think I see sometimes a narrowness of focus, as if Occupy were a campaign, defining itself by just a handful of issues, not the movement it seemed to be from the start, a movement awakening hope and addressing our profound planetary interconnection and state of risk, and I wonder if this appearance of narrowness is happening everywhere, or is just the particular flavor I see, or the flavor concocted by the limitations of my own observing and impatient mind.

I’m about to leave  for California for a month of residential Zen practice at San Francisco Zen Center’s Green Gulch Farm. Before I go I would like to share two short views of the planet relative to fracking, not here in the Marcellus Shale, but in South Africa and in France. These videos give image to what is being done to this radiant earth, the catastrophe taking place in our name, in the name of our being able to use our computers and refrigerate our food and drive our cars and watch a movie that comes in the mail from Netflix and get on an airplane and fly halfway around the world, or even just across the country. If we think we are not complicit in this we are not paying attention. These film images are to weep for, but they also show people making efforts to make a change.

We always ask how, and we don’t know how, and sometimes we leap into what and into action too soon. Before we ask how, maybe we have to open our eyes to the present situation, maybe we have to become willing to see.

Fracking in France                Fracking in South Africa

First we have to weep, I think, for the beauty of what we are losing. And after that maybe we can laugh with the beauty of what we can do together to change.

 

 

 

Occupy?

I’ve just come back to Pittsburgh from a couple of weeks in New York, including some days upstate, here again just in time to attend a General Assembly before starting retreat tonight with Rev. Shohaku Okumura. Somehow these weeks seem to have packed everything in together.

In Brooklyn most of the time I was with my family (daughter, son-in-law, and granddaughter) but we did visit Occupy Wall Street twice and I had a wonderful day of sitting at Brooklyn Zen Center with Rev. Teah Strozer and the sangha there.

Occupy. Zazen. Grandma. All seamless.

Heather and I took a walk in Zucotti Park one afternoon shortly after I arrived. Not much was happening at that time: campers and visitors mingling in small conversations, the food station, the media station, some Raging Grannies, some people with signs standing along the street with the police, the handmade posters and signs spread out on the ground for reading, sort of a horizontal art gallery, a few people starting to make new signs, and important work getting mobilized—a young man with dreads and tie-dyed balloon pants at the center of many concentric circles (the first rings seated, the next rings standing) giving instruction in the method for facilitating small group discussions.

Even though I visited and appreciated what I saw, I watched most of this develop on the internet. I was a little bit wary of the rhetoric of occupation – wary of name-calling, blaming, rage. Until last night the last time I had been bodily present for an organized protest event (my visits to OWS in New York were during non-organized times) was an execution vigil at San Quentin in 2002, where I sat in meditation, part of a group of Zen students from Green Gulch. The rage from the speakers platform that night was sometimes palpable, aimed from above toward the demonstrators below, as if those who had come to protest the execution were the perpetrators of it and at the same time needed to be whipped up into a similar rage. That prisoner was executed that night and that rage is understandable. But rage begets more rage, and rage doesn’t speak for me.

Happily, Occupy Wall Street seemed to be different, consciously working against the rageful model of political action, consciously working to be the change, to create the change in the movement itself. My second visit was to Washington Square Park on a Saturday afternoon. The whole family went this time, and we planned to meet some friends from San Francisco Zen Center. We were hoping to arrive in time to hear Bill McKibben’s soapbox speech (which had been announced on Facebook as a teach-in), but we were late and missed it.

We missed that speech, but by cell phone we did find my Zen Center friends in the milling crowd, and my granddaughter got to enjoy the playground. When we left the park we walked through the Village before returning to Brooklyn. Life was, is, going on everywhere as usual, including our own lives. It’s a peculiar juxtaposition, life as usual and radical transformation. The next day I sat a day of zazen at the Brooklyn Zen Center and heard a wonderful simple dharma talk by Teah Strozer. Maybe ordinary life as usual and radical transformation are not so strangely juxtaposed after all.

What I have seen so far of OccupyTogether tells me we are seeing, we are part of, a new political style, a way of action in which ends and means are not separated. People have compared the style of these occupations to the movements of the sixties, and there is reason for that. But there is more that is completely of this time, this generation. I got some feel for this newness watching the New York general assembly being live-streamed, but what really brought it to life for me was attending the assembly in Pittsburgh last night, listening and looking around the room (this meeting was in a church sanctuary, filled with about 300 people, but it could just as well or even better have been in a park or a parking lot). Feeling your body with the other bodies, your hands raised to express agreement with the other hands, your voice if something moves you individually to join in the speaking—all this says, this is really happening, this is not a mediated event, this is this life, right now. Everyone is invited. Everyone is encouraged. Dissent is possible. What is not invited, not encouraged, is any form of violent speech, hate speech, rage speech. Nonviolence is the practice—for some a tactic, for others a way of life, but for all a commitment—and this nonviolence does not just mean being polite to police and respectful of property.

(A post from Eve Ensler at Huffington Post and on the V-Day website captures the joy and the implications of how this is working, and I recommend it, along with attendance at a local General Assembly, to anyone who may be baffled, doubtful, curious, hesitant, and most especially indifferent to what might be happening “out there,” which everywhere really is just right here.)

The meeting style and practices of the Pittsburgh General Assembly I attended last night (which seem to be common to most assemblies throughout the movement) were familiar to me, thanks to trainings offered at Green Gulch, but this is the first time I have seen them applied in such a large group. As Cordelia, my not-quite-two-year-old granddaughter, would say, Wow!